Not a single-minded band
remarks drummer Simon King. "Or is it 'Warriors On The Edge Of Time'?".

"I believe it's just called 'Warrior'," counters co-percussionist Alan Powell.

"No, no, no," says Simon, "I'm sure it isn't. I did the layout for the sleeve, after all..."

Typical Hawkwind vagueness and uncertainty - but, given the events surrounding the recording of the
album (the title eventually being resolved to 'Warriors On The Edge Of Time'), quite forgiveable.

"Yeah, we did it in about a week," says Simon. "That was totally insane - but at the same time I enjoyed it.
We had just one track -Simon House's- laid down before we went into the recording studios at Rockfield.
There, we laid all the backing tracks down in about three and a half days. Then, after we had a couple of
days off, we went down to Olympic and added bits here and there, dubbed over vocals and mixed it all.
That took about three days, and it was finished.

Short

"We had to do it in such a short space of time because we're soon to tour America. Atlantic, our recording
company over there, needed an album to coincide with our visit. It was just fortunate that we had the
numbers written and that we managed to get it ready. Still, we got it together and now we're just sitting
here waiting to go over to the States."

The new album, released in Britain within the next few weeks, as the introduction to this piece suggests,
features a much more mature and varied band. While not totally devoid of archetypal Hawkwind numbers,
at the same time there's a fine 6/8 track written by Simon House ("Just to prove that we can do some
things that aren't 4/4") and a mellow acoustic contribution from Dave Brock (a la 'The Watcher'). 'Space
Ritual' type narratives also make their return, with Nik Turner and Michael Moorcock handling the spoken
parts, and both Alan and Simon contributing the atmospheric backing.

The album is broadly based around sci-fi author and on-off Hawkwind member Michael Moorcock's
character Erekose, the Eternal Champion.

"It links up with a lot of Moorcock's books," says Alan. "We'll probably do some more work with him for
the next album. Not a lot, just bits here and there. 'Warriors' was originally going to be some sort of
concept thing between us and Moorcock, but it never really came together except for a few of the tracks -
the poems, and the lyrics for some of the songs."

Are you looking forward to returning to America?

"I really can't wait," replies Simon. "The first time I went I didn't like it at all, but now that I've got to
know some people over there I'm really looking forward to it. It's only going to be a short tour and we're
going to play familiar places, so it should be perfectly all right."

Will you be playing numbers from the new album on the tour?

"Yeah - but actually it won't be the first time we'll have played them live," Simon says. "We gave them
their debut on two British gigs at Yeovil and Dunstable a short while ago - which we kept quiet about. We
just wanted to try them out, you know."

"I expect you can remember the saga at the end of our last British tour - we had to blow out a number of
the final dates, because everyone was physically and mentally wiped out, retarded. It was unavoidable."

"We've only partially recovered now," he jokes, "but what with doing the album and having to have a
break, we've only had the chance to do two of the cancelled gigs. We did virtually the whole of the new
album on those dates together with a few of the old numbers. It worked really well - we were so
enthusiastic about doing new numbers that the old ones sounded fresher as well."

Bombs

Hawkwind have so far been unable to equal Silver Machine's singles chart success. You may remember
the band voluntarily withdrew their follow up single 'Urban Guerilla' from the shops just as it was about to
break into the charts because of political implications - bombs were being planted all around the country at
the time. A noble gesture, but one that in the end proved harmful for the band: the newest single, 'Kings Of
Speed', seems to have flopped rather badly.

"Never mind, I didn't like the number anyway." admits Simon. "Apparently, we had to do a single to fulfill
our record contract, but really we don't know how to make them. A band like Sweet, for example, can go
into a studio and turn out great three minute singles. I'm not a Sweet fan, but give credit where credit's
due, most of their singles work well."

"We're not singles minded, we can't do things in their way. If Sweet had done 'Kings Of Speed' then
maybe it would have been a hit - but when we laid the number down we felt like, well, we had to do it, so
let's get it out of the way as soon as possible."

Last time 1 talked to Simon, he seemed quite enthusiastic about the single. Why the change of heart?

Speed

"Well at one point I was quite into doing the number. I was quite into getting a few things done. 'Kings Of
Speed' could have been okay, I suppose, but really it was a case of 'too many cooks'. People kept on
saying to us that it had to have this, had to have that. In the end the band didn't want to know. It got
released, and it just got overlooked. I wasn't bothered at all, you know?"

I thought the single did fairly well - it may even still be a breaker.

"Maybe, I don't know. I wasn't even aware it had been released for some time. A lot of people say to you
that the band could really do with another hit single, and all the rest of it. Well okay, maybe we do. I don't
think we do, but I might be wrong. I probably am. After all, Chelsea got relegated and I thought they were
going to win the league..."
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Alan Powell was accompanied by the two photos
seen here..  That's Mr. King below, but you'd be
wrong if you assumed the bewigged lovely to the
left was Alan Powell...
'Almost tasteful': a remark that can be taken two
ways, to two different extremes: either
complimentary, or derogatory.

'Wind are taking it as a compliment, and seem well
pleased with their new album which has been called,
as I've said, 'almost tasteful'.

"The album's called 'Warriors At The Edge Of Time',"
From Sounds, May 10th 1975.  (On page 23, if you must know...)  This interview with Simon King and